book Å Juha AUTHOR Juhani Aho Í Juhani Aho
Monien kirjojen kansallistunnot Kaikkea tätä on mukana Juhassa mutta samalla Aho siinä murtautuu ulos kuorestaan ja rikkoo sekä tutun roolinsa että vakiintuneen tyylinsä niin kuin Kai Laitinen sanoo esipuheessaan Poikka on kaikki herkutteleva viipyily Kertomus etenee vahvana ja ankarana nykyhetkessä preesensissä Juha on kolmiodraama joka näytellään itäisessä Suomessa kahden maailman rajalla metsien Tolle Überraschung dieser Text Ein urkräftiges gewaltiges und archaisches Buch im rauhen Norden Finnlands spielend durch das marodierende Russenbanden ziehen Die Sprache ist so kantig wie das Holz das im Wald geschlagen wird Mit Axthieben und Eiswasser im StiefelAbsolute Leseempfehlung
Juhani Aho Í Juha AUTHOR Juhani Aho mobi
Juha AUTHOR Juhani AJuhani Ahon 1911 ilmestynyt jylhä balladiromaani Johdannon romaaniin on kirjoittanut Kai LaitinenKun Juha ilmestyi 1911 oli Juhani Aholle 1861–1921 jo vakiintunut selkeärajainen kansalliskirjailijan rooli Romaania edelsi Rautatien lempeä pienoisrealismi Yksin ja Helsinkiin kirjojen suorasukainen suhde todellisuuteen lastujen luonnonlyriikka Panun myyttiseen menneisyyteen etsiytyvä kansallisromantiikka ja Oh man this is why I love Finnish language Juha is never just something certain not just poetic image from the fringe of Finland and its nature never really simply a historical novel nor exploration on national mentality not simply psychological description of a marriage or national romantic myth not simply objective nor autobiographical reflection on life And yet it is all of this inseparably part of Finnish mentality and national history Probably the only fitting adjective would be force of nature at the same time epic and intimate in scope rather straightforward in narrative but never just tight and lifeless attempt to create something new The sharpest critics already realized at the time of release that the connection of human being and nature in Juha is internal the world shows itself from within the individuals in it and still continues its course without people in it The lands that Juha looks at throughout the novel are there the way they are because of him but they will be there without him as well Marja defines his world but Aho knows just how to distance the reader from believing that world exists just because of us; law of nature is still stronger than the emotion of people perhaps because it is the law of our world as well it already exists in balance with the world without people trying to put their silly little rules on it The love triangle that could be hardly defined as such is only seemingly the driving force of the novel sure it creates the conflict but its universality set in a very certain yet undefined milieu reminds us that it cannot be only an artificial plot that artist has concocted Definitely worthy of its reputation as one of the greatest classics of Finnish literature